On the way to the New York Museum of Modern Art, walking through the breezeway of a modern office building:
Then… the MOMA:
Cezanne. He made the air in the background look moist and the pine needles sparkle with subtle light.
Flashback to a spot and a photo in Alpine Meadows, California:
Recognize Munch across the gallery.
It’s incredibly difficult to paint leaves with the randomness of nature. The best thing about trying things out as a total amateur is the appreciation it gives you for the masters:
Watching others captivated by the same painting adds to the enjoyment.
A Pierre Bonnard, a favorite painter, he never had just a plain old wall. Look at the complexity.
In the final gallery there is this fun, whimsical sculpture:
Wow, a favorite Picasso!
This display of videos shows every minute of the artist’s last year of life, showing the mundane and lonely nature of his existence (according to the description on the wall).
In the same gallery, hangs this beautiful, interesting piece:
Take the Highlights of the Museum tour at the Metropolitan Museum of Art. It’s free (with admission, which is free also, sometimes).
Begin with the Greco Roman area, the basis of Western culture, early Greek sculpture. Observe symmetry and, with one foot forward, the beginnings of motion in sculpture. Note the hands held stiffly by the side.
100 years later, this Greek statue in the heroic pose was created. Note musculature and movement.
See this contemporary artist from Ghana who composes sculptures from found items, in this case bottle caps and labels from liquor bottles. The artist believes art, like life, is always changing, so he does not provide instruction on how the piece should be hung, leaving it to the curators to arrange the display.
See a reconstruction of Marie Antoinette’s room where she lived during her confinement. Artists made things for her during this period and, according to her requirements, imprinted the letters “MA” on any furniture they created for her. The desk shows the beginning of multi-purpose furniture, a new idea at the time.
The bust of Diderot, a contemporary, one of the philosopher-creators of the Enlightenment era and the creator of the first encyclopedia, stands on a side table in the room.
Next a corner of Impressionists containing four works of Claude Monet, who said, “Light changes even stone.”
Monet worked on the same subject, painting it repeatedly in different lights to explore this idea of light and mood. In these paintings, he also used complimentary colors, blue and gold, to help create a soothing effect. He spent three years on this motif, renting an apartment in a drapery store located across the street from Parliament, so he could render the subject in varying light. He used impasto, a style of layering on paint.
During this period, sculpture employed studied composition, as shown in this piece, which displays a highly orchestrated, triangular arrangement, with smaller figures below and the main figure being the largest in the middle.
Then Rodin shocked the Paris scene with this sculpture called the Burghers of Calais. Rodin revolutionized sculpture on many levels, depicting ordinary people performing heroic acts, with figures formed in equal and realistic sizes, walking rather than posing,
When Calais was under siege, these burghers offered themselves to the king as hostages to save their town.
Rodin believed that the hands and feet reveal our emotions so he made them larger. The feet are big and heavy, rooted to the ground by the burden they carried.
There is a happy ending to the Burghers-of-Calais story. The queen, upon hearing the story, persuaded the king to set the men free.
In the baroque period you see allegorical painting, with the different elements of the composition representing different concepts; for example the bird represents natural music and the lute represents man-made music.
A year, later, Velasquez launched a new direction with this piece, in which he painted an ordinary man and his emotions, breaking with tradition and launching a new period. This painting depicts his slave, whom he freed shortly after doing this portrait. The slave liked working with Velasquez though, so he stayed with him as a salaried employee. The former slave was also a painter.
Next, visit the music gallery where you’ll see a lute, invented at the time of the above allegorical painting.
This room shows the baroque period’s leisurely pace and the abundance of the period in which the invention of new instruments blossomed. This harpsichord is decorated in real gold. The frieze and figures depict a story.
Can a room be art? Visit this room created by a Japanese artist. The water flows evenly over all sides of this stone, which is carved to be different on each side. The giant stone from the artist’s home area sits on a bed of rocks from a sacred river.
End the tour with this painting of an American woman living in Paris by an American artist. The woman was obsessed with having pale skin, taking arsenic and using lavender powder to make it more pale. (This painting is distorted by the angle from which it was shot.)
The painting created a huge scandal in Paris and nearly destroyed the artist’s career so he went back to painting people in their proper clothes.
At the end of his life, the artist donated the scandalous painting to the Metropolitan and said it was the best work he achieved in his career, and it was one of his first. Artists, pay attention, be careful about creating only things that conform to society’s mores.
Return to the impressionist galleries to linger over a visual feast.
Picasso always stands out in a crowd.
Degas calls to you from across a gallery.
Go in for a closer look.
Thank you for visiting.