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Lara Croft: Tomb Raider… Ta Prohm, Cambodia

Re-watching Lara Croft recalls experience of Ta Prohm:

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No magical children or butterflies, just tourists:

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But stillness in a stone clearing in the heart of the jungle:

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Gentle jungle sounds and scents:

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Thank you, tourist, you’re so nice to duck, you are left in the picture to show courtesy:

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Glorious ruins:

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Modern scaffold suspends collapse:

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Root frames:

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Temple for lunch:

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Spiritual carvings:

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Doorways:

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The sky:

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Take a walk in the park… Rancho San Antonio, Cupertino, California

Note: All tree closeups I owe to sethsnap.com for teaching me to see  “tree art.”  http://sethsnap.com/2013/02/16/tree-art-of-halls-creek/

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Bridge over quiet waters
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Light storm
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Variety of life
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Pull up a stump and stay awhile
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Tree frame
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Tree cathedral

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Follow me
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What a tangled web we weave
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A distant, tranquil spot among the oaks
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Texture
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Silicon Valley

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Hiking

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San Francisco Bay
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Way home beckons
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Joy
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Peace
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Shadow of the observer

Erotic romance, the real deal… book (multiple) review, Marie Tuhart

Note: This blog post has links to books intended for audiences aged 18 years or older. It also has suggestive book cover photos. 

Anais Nin and Colette were this author’s big thrill in her early 20s. Plucking Colette off a bookcase in the basement of the famous City Lights Bookstore  (http://www.citylights.com/) in San Francisco, flipping through the pages, wondering how authors dared to write like that!

Erotic romance differs from Erotica. Erotica doesn’t necessarily have a happy ending. Erotic romance does. And a complete story line.

Marie Tuhart is a great introduction to this sub-genre. Her work is also awesome for readers who are already fans of this area of literature. These books are quite popular, meeting with very positive reviews.

Recommended reading order:

In Plain Sight

http://www.wilderroses.com/index.php?main_page=product_info&cPath=87&products_id=755

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Quick Silver Ranch: Roped & Ready

http://www.wilderroses.com/index.php?main_page=product_info&cPath=88&products_id=811

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Quick Silver Ranch: Saddle Up

http://www.wilderroses.com/index.php?main_page=product_info&cPath=87&products_id=831

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His For the Weekend

http://www.wilderroses.com/index.php?main_page=product_info&cPath=87&products_id=867

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Hooked Up At The Wedding

http://sybariteseductions.com/anthologies/hooked-up-at-the-wedding/

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Hooked Up The Game Plan

http://sybariteseductions.com/anthologies/hooked-up-the-game-plan/

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Author website:

http://www.marietuhart.com/

12 (more art) reasons to love Manhattan

On the way to the New York Museum of Modern Art, walking through the breezeway of a modern office building:

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Then… the MOMA:

Cezanne. He made the air in the background look moist and the pine needles sparkle with subtle light.

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Paul Cezanne, Pines and Rocks, (c. 1897)

Flashback to a spot and a photo in Alpine Meadows, California:

Town of Alpine Thru Trees

Recognize Munch across the gallery.

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Edvard Munch, The Storm (1893)

It’s incredibly difficult to paint leaves with the randomness of nature. The best thing about trying things out as a total amateur is the appreciation it gives you for the masters:

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Gustaz Klimp, The Park (1910 or earlier)

Watching others captivated by the same painting adds to the enjoyment.

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Henri Matisse, The Piano Lesson (1916)

A Pierre Bonnard, a favorite painter, he never had just a plain old wall. Look at the complexity.

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In the final gallery there is this fun, whimsical sculpture:

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Max Ernst, Lunar Asparagus (painted bronze, 1935)

Wow, a favorite Picasso!

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Pablo Picasso, Girl Before a Mirror (1903)

This display of videos shows every minute of the artist’s last year of life, showing the mundane and lonely nature of his existence (according to the description on the wall).

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In the same gallery, hangs this beautiful, interesting piece:

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Mark Bradford, Giant (2007)

10 (bridges and buildings) reasons to love Manhattan.

City center, note archway for cars to pass through.

Manhattan Downtown

On the steps of City Hall:

Nia on the steps of city hall

World Trade Center from Brooklyn Bridge.

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Empire State Building (tallest building by my right shoulder) from Brooklyn Bridge.

Nia with Empire State Building

Statue of Liberty (tiny line by my right elbow) from Brooklyn Heights.

Promenade Statue of Liberty Nia

Statue of Liberty from the Staten Island Ferry (which is free):

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Verrazano Bridge, glimpsing the ocean beyond the harbor.

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The old ferry building,

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now in disuse.

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Writing craft musings and Brenda Novak

Deep point of view (POV) reflects life as we actually experience it, I think.

Deep POV was the last big hurdle for me before being able to write what I consider to be effective stories. (Whether other people consider them effective remains to be seen, but hope is on the horizon.) It took me years to get deep POV. I still struggle with it.

I recognize deep POV excellence in others. Brenda Novak is extremely good at it. In studying her and thinking about this craft issue this morning, going back over yesterday’s pages to get back into the story, and inevitably starting editing, I find myself mostly fixing non-deep-POV issues. On a micro level.

I think there are a few levels to deep POV. One is the avoidance of distancing words like “feel,” “think.” But even “look.” “He looked at the thing.” Deep POV just describes the thing.

Similarly, as a writer who had to make absolutely every possible mistake known to fiction writing, never learning anything the easy way like from a teacher or book of which I have many, I can say one of the things I struggled with in my early days and still do, is the idea that I have to describe the events of a novel sequentially.

He gets in the car, he gets out of the car, he walks across the driveway, he opens the door, he closes the door, he goes inside, he sits down, and finally he gets to have his thought.

When in reality what happens is, he doesn’t even think about all of those transitions. Who really thinks about what they’re actually doing while driving? This is how it is, sometimes unfortunately, like when somebody almost ran into us head-on in a parking lot the other day. Only leaning on the horn continuously for several seconds snapped the driver back to attention in time to  prevent an accident.

One goes through the motions of life, even those among us who aspire to be in the moment, lost in thought.

Begin the telling with the character in the thought, not in all the transitions through space of getting him into the scene where he will have the thought. This is what I’m learning.

On a philosophical level, I assert by being in deep POV, we’re actually reflecting more accurately the human experience. We live a psychological life.

Enough shoptalk. Back to the novel. Thanks for visiting.